WORKSHOP: Sonic Improvibing An improvisational scoring approach for audiovisual media
May 20, 2026
The sonic identity of a film score is shaped not only by traditionally taught elements such as rhythm, melody, harmony and arrangement, but equally by the unique timbres that define the sound world. To invent a new experimental instrument, sound generating process or -device to come up with distinctive timbres is an amazing method to create innovative, non-generic sound-worlds for audiovisual media.
Exploring these possibilities by transforming emotional attachment to the narration into sound and music in real-time to the playback of visual content with these specifically designed instruments or sound devices can be a very effective means of setting the tone for a scene, a sequence or even a whole movie. It’s all about getting into the vibe by allowing your heart to be part of a playful, joyful, and sometimes challenging, intuitive, improvisational and creative process: Welcome to the world of Sonic Improvibing!
The beauty/pain juxtaposition, this is always what I strive for. -Nathan Larson
In this workshop, taking place at the recording studio o-ton (80 square meters A-room, fully equipped with a stage, Grand Piano, Amps, a Drum set, a PA system and 4k projector), participants will explore the method to work out a live performance of a score for a short film under the guidance of acclaimed independent film composer Nathan Larson (Boys Don't Cry · High Fidelity · Margin Call · The Woodsman).
The resulting performance will then be presented as part of the STC23 program, during the mediamusic Network Reception at o-ton, on Wednesday, 15th of July at 9:30 pm.
Participants will receive a link to a film clip approx. 4 weeks in advance of the workshop. They are requested to work out a unique way of creating sound: One option is to build an instrument or find an alternative way to use existing instruments. This may involve anything from cigar boxes with rubber bands as "poor man's guitars" to bowed pizza trays. Another option is to come up with an electromechanical sound generating process involving a microphone setup, for example the amplified sound of a plucked credit card halfway on a table.
"We would love it, if your sound ideas were furthermore elegantly contributing to the narration - whether by paraphrasing, contrasting or by adding a meta layer of meaning and interpretation. You might also bring a short motif, that shows the potential of your sonic approach - whether you bring an instrument or bring a sound design idea", Nathan Larson.
The workshop is based on an improvisational group effort, not on single participants scoring preparations. So while it might be nice to have your computer with you, it is not required for the workshop.
Active participants: €95 (Max. 12 participants) - To register, use the code composingworkshop
Observer: €45 (Max. 5 participants) - To register, use the code passiveworkshop
Workshop places are assigned on a first-come, first-served basis upon receipt of the registration fee for each participation category. Please note that SoundTrack_Cologne conference accreditation must be purchased separately.
This masterclass is held in cooperation with Kassel University and will be hosted by composer, sound engineer, and media producer Roman Beilharz.
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